Elizabeth Stuckey-French

Biography

Elizabeth Stuckey-French grew up in Lafayette, Indiana and attended Purdue University.  She is the author of three novels, The Revenge of the Radioactive Lady, Mermaids on the Moon, and Where Wicked Starts, co-authored with Patricia Henley, as well as a collection of short stories, The First Paper Girl in Red Oak, Iowa. Along with Janet Burroway and Ned Stuckey-French, she is a co-author of Writing Fiction: A Guide to the Narrative Craft. Her short stories have appeared in The Normal School, Narrative Magazine, The Atlantic Monthly, Gettysburg Review, Southern Review, Five Points, and The O’Henry Prize Stories 2005. She was awarded a James Michener Fellowship and a Florida Book Award and has won grants from the Howard Foundation, the Indiana Arts Foundation, and the Florida Arts Foundation. She teaches fiction writing at Florida State University in Tallahassee. Website: http://elizabethstuckeyfrench.com/

Events

elizabeth's photo

A Way to the Right Way - 11th Hour Lecture Series

When
-
Event status
Scheduled
Attendance Required
No
Description
If you want your fiction to be read, you must make it as unputdownable as possible. As Shirley Jackson writes in Garlic in Fiction, “The reader is, after all, a kind of silent partner in the whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is in fact the writer’s only unrelenting, genuine enemy. He has everything on his side; all he needs to do is close his eyes and any work of fiction becomes meaningless.” So how can you keep a reader reading? While the first draft is for you, revision is all about the reader. You must revise ruthlessly until you’ve made your story as surprising, seamless, and vivid as it can be. Revision is my favorite part of the writing process, but it can also seem daunting. Rather than telling myself that I have to “make it better,” I approach revision in stages that allow me to uncover new meanings, gain a deeper understanding of my characters and, finally, say exactly what I want to say. In this talk, I’ll share some revision tips and some of my own revision practices. My aim is to encourage you to write what you really want to write in the most effective way possible.
Elizabeth Stuckey-French photo with dog

Your Novel in a Week

When
-
Event status
Scheduled
Attendance Required
No
Description
This class will focus intensely on the novel-writing process. Come prepared to discuss a novel you’re already working on, even if that novel is only in the planning stages. In a whirlwind week we will work through the major issues of writing a novel -- instigating event, characterization, structure, and suspense. Rather than a workshop, this will be a class where new work is generated (both in and outside of class) and shared with your classmates and me for feedback. Even if you’re fairly far into a draft of a novel, this class is meant to help you rethink it, shake it up, see it anew. You will complete writing assignments to help you develop your plot, bring your characters into focus and explore your setting. We will also discuss a short novel and some novel excerpts for inspiration and craft ideas. You’ll go home with a clearer sense of your novel and renewed trust in yourself and your writing process. In this workshop, we will generate new writing through exercises and assignments; provide feedback on writing assignments you produce during our week.
Elizabeth Stuckey-French photo with dog