Tove Jansson’s The Summer Book tells the seemingly simple story of two characters passing a single season on a small island, and yet writers ranging from Ali Smith to Phillip Pullman to Kathryn Davis have praised the novel’s “magnitude” and “genius,” and have suggested that it “comes to represent the whole universe.” In this generative prose workshop, we will use Johnson’s deceptively minimal masterpiece as a touchstone as we begin to assemble our own summer books from the unique driftwood floating in our memories and imaginations. How might a whole world—or at least a whole book—be constructed out of these discrete pieces? What locations, seasons, or characters from our own imagined or actual experiences might intersect—or bump surprisingly against one another—to yield a sustained and sustaining longer work? What narrative and expressive possibilities might be afforded by dispensing with causal plot structures, and by imagining a book not as a propulsive progression but as a more mysterious container for discontinuous but coalescing material? We will endeavor to answer such questions by collaboratively reading the crystalline, yet obscurely connected, components that comprise Johnson’s novel, alongside selections from other books built out of small prose blocks by writers like Sei Shōnagon, Giada Scodellaro, Maggie Nelson, and Sigrid Nunez. Just as crucially, we will explore the novelistic potential of the vignette by responding to writing prompts inspired by all we’ve discussed and discovered. By the end of the week, each student should expect to have started their own [Iowa] Summer [Writing Festival] Book! Lovers of literature (and summer!) at all levels of experience are welcome. In this workshop, we will generate new writing through guided exercises and prompts.

In this team-taught, generative workshop, poet Caryl Pagel and fiction writer Madeline McDonnell will wage a battle for generic dominance, trying to win students over either to the side of poetry or fiction once and for all, because writing is a zero-sum game. Just kidding! In fact, Caryl and Madeline will help poets find their inner liars, and fiction writers their inner lyres. We will spend the weekend collaboratively reading poems and short works of fiction, exploring their correspondences and conversations in form and content, and then completing exercises engaging the strategies discussed. All the while, we will consider: How might we find plots in prosody and lyrics inside story arcs? What’s the difference between poetry and fiction, anyway? Does it matter? Students should expect to emerge with the starts of several new pieces—but will they be poems, stories? Stoems? Pories? We don’t know, but they will definitely be magic! In this workshop, we will generate new writing through guided exercises and prompts.